Karol Korski masters the technical parameters to provide to the listener the sensations
of a musician playing live. This fusional cohabitation gives to records, which are played through
Karol Korski's speakers, a musical listening of an extreme quality, while each note or tone is
delivered in its purest expression. The quality of the sound is an important matter, as well as the aesthetic.
Karol Korski's Speakers, true musical sculptures, embellish the places where they coexist,
thanks to their charm and their beauty. The expertise of Karol Korski in the field
of measurements, his acoustic researches, electronics, anti-vibrations and anti-resonances
allow him from 1974 - with methacrylate and altuglas, and glass since 1989 -
to add a personal and meaningful interpretation of all the technical aspects.
« MY RECOGNITION OF SOUND GENIUSES SUCH AS WALKER, JENSEN, AND BRIGGS LANSING WITHOUT WHOM ... »
Karol Korski is particularly careful in the selection and installation of his speakers : Lightness of the membrane, strength of the magnetic field, absence of lag, impulse of speed, acoustic filtering, selected components and wiring. To reach this quality of sound, it is necessary to use separate accoustic volumes, paired speakers, relevant acoustic charge tested, proved and compared with the best existing global standards - Alec Lansing, Eighteen Sound, Electro Voice, JBL, Kinoshita, Outline, RCF, TAD, Urei - to provide a sumptuous sound image. Under their simple and uncluttered appearance, these speakers represent a formidable challenge for prestigious sets of high-fidelity of the market.
1961/1963 - Studied industrial drawing and machines' mechanics.
1965 - Electronic Brevet.
1967 - Built his first pair of 3-channels speakers with Audax kit.
1969/1972 - Realizations on demand of installations (Quad), for music passionates, actors, industrialists, lawyers. First altuglas speakers.
1974 - JBL assign him to the presentation of the "Salon du Son" and begins a period of passionate researches in electro-acoustic giving birth to heavy systems up to 2 tons, on the Japanese and U.S. model described and sublimated by the French journalist Jean HIRAGA.
1979/1985 - SPK society (Société Produits Karol).
1982 - Presentation the SPK models « Salon du Son ».
1984 - Brevet of an antivibration concept.
1990 - Registration INPI of 5 glass models: Karol Korski first creator of glass speakers.
1991 - FIAC, triangulare speakers made of plexi.
1992 - Collaboration with the sculptor Arman for common task, subwoofer.
To 2000 - Exhibitions in about ten galleries, Paris, Courchevel, Honfleur, glass speakers made of altuglas.
Until now - He continued his researches, with one new installation per year, Karol Korski imagines new creations, while incorporating technical improvements. Altuglas elements, but also the design a soundscape where technical elements are invisible to better blend in with the decor.
For the love of rock, Karol Korski would have loved to play the guitar. In exchange, he decides to offer to his passion an exact restitution of the sonorities. No sound should escape to the listener. Ear informed or otherwise, he should capture the notes in all their tonalities, from the most subtle to the most low, without forcing. The music is there, full and entire, instruments and voices occupy the space, the pleasure is total ... The diversity of listening places and the quality of possible applications generate a heterogeneous demand. A wide variety of creations is possible, achieving the realisation of exceptional instllations for audiophiles customers. Karol Korski, customized speakers in relation with his obsession, a true-to-life sound, to which a perfectly integrated aesthetic is added in its environment.